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Interests
Princess of Egypt by ~
CORinAZONe on
deviant ART Pictura
Desenul
Artele frumoase
Astronomia
Universul
Viata pe Marte
Cydonia
Fenomenul OZN
Calatoria in timp
Clonarea
Fenomene paranormale
Efectul de piramida
Piramidele
Cristalele
Istoria antica
Dacii
First of all I am interested in visual arts.I've discovered this passion for visual arts such as drawing and painting by the year 2000, when I was 13-14.I've always been fascinated by the beauty and the mysteries of the universe.The universe with it's wonderful galaxies,supernovas, nebulas, stars planets and other objects inspires me.My other great interest is astronomy. I am inspired by the Greek mythology too.I have a zodiac inspired from the Greek mythology,,paintings of characters like Andromeda, Afrodita giving life to Galatea and Kore(the maiden aspect of the goddess Persephone) and paintings of the ancient poets Corinna from Tanagra, Erinna and Sappho. I am interested in paranormal phenomena such as pyramid effect, ghosts, time travel, UFOs and alien life too. I really thing there was life on Mars in the Past, the Cydonia pyramid and face on mars are one of the traces of the lost civilization on Mars.
These websites contain my artwork
My newest freewebs site
My Geocities site
My piczo site
CORinAZONe
Situl meu pe Neogen
My deviantART page
Favorite TV Shows
UFOs & Paranormal Phenomena - Message From Another Dimension
Favorite Books
Mihai Eminescu ,
Poezia de mai jos, Dorinta de Mihai Eminescu a fost sursa de inspiratie a primelor mele desene si picturi
Vino-n codru la izvorul Care tremură pe prund, Unde prispa cea de brazde Crengi plecate o ascund. Şi în braţele-mi întinse Să alergi, pe piept să-mi cazi, Să-ţi desprind din creştet vălul, Să-l ridic de pe obraz. Pe genunchii mei şedea-vei, Vom fi singuri-singurei, Iar în păr înfiorate Or să-ţi cadă flori de tei. Fruntea albă-n părul galben Pe-al meu braţ încet s-o culci, Lăsând pradă gurii mele Ale tale buze dulci... Vom visa un vis ferice, Îngâna-ne-vor c-un cânt Singuratece izvoare, Blânda batere de vânt; Adormind de armonia Codrului bătut de gânduri, Flori de tei deasupra noastră Or să cadă rânduri-rânduri
>,
The poetry of Sappho
On the throne of many hues, Immortal Aphrodite, child of Zeus, weaving wiles--I beg you not to subdue my spirit, Queen, with pain or sorrow
but come--if ever before having heard my voice from far away you listened, and leaving your father's golden home you came
in your chariot yoked with swift, lovely sparrows bringing you over the dark earth thick-feathered wings swirling down from the sky through mid-air
arriving quickly--you, Blessed One, with a smile on your unaging face asking again what have I suffered and why am I calling again
and in my wild heart what did I most wish to happen to me: "Again whom must I persuade back into the harness of your love? Sappho, who wrongs you?
For if she flees, soon she'll pursue, she doesn't accept gifts, but she'll give, if not now loving, soon she'll love even against her will."
Come to me now again, release me from this pain, everything my spirit longs to have fulfilled, fulfill, and you be my ally
--Translated by Diane Rayor
The poetry of Corinna(Korinna) from Tanagra
The daughters of Asopos
Three of your daughters seized
Father Zeus, the ruler in all;
Three husband became of the sea
Man, Poseidon;
Apoll has two
Gave to his camp;
Hermes,
Maia's brave son,
if took the ninth one. Cupid and also
Aphrodite pressed
Those gods, from your house
To rob of nine daughters.
These bring to the world Half
To gods the same heroic gender,
With many children and
rühmlich and never
Ageing. - Those told of me
Words of wisdom the tripod.
Now I held this honourary post
From fifty brothers first,
Grown up in the holy one
Temple serving and without lies,
I,
Akraipheus , the seer.
Letos son trusted the post
Of the oracles
Oionymos in,
That of the tripod tells the word.
Then him chased away
Hyrieus ,
As second came to the post,
Of the Poseidon son. Then received,
When he won the land, again
Orion, my father, the post.
Now he inhabits the heaven; I
If became heir of the post.
Erinna,
Ovid,
Ancient poetry,
Mitologie geaca,Greek mythology
Favorite Quote
Terpsichore [told] me
lovely old tales to sing
to the white-robed women of Tanagra
and the city delighted greatly
in my voice, clear as the swallow's.
Since whenever great . . .
false . . .
. . . land with wide dancing-places,
and stories from our fathers' time
by my art adorned
for the young women [I'll begin].
Many times I adorned
the leader Kephisos with stories --
often, too, the great Orion
and his fifty strong sons
from his mingling with nymphs
. . . Libya . . .
*
I tell of the girl . . .
lovely to see . . .
the [land] bears . . .
. . . I bore . . .
by
Corinna , the ancient boetian poet
YGMALION loathing their lascivious Life, Abhorred all Womankind, but most a Wife: So single chose to live, and shunned to wed, Well pleased to want a Consort of his Bed. Yet fearing Idleness, the Nurse of Ill, In Sculpture exercised his happy Skill; And carved in Ivory such a Maid, so fair, As Nature could not with his Art compare, Were she to work; but in her own Defence, Must take her Pattern here, and copy hence. Pleased with his Idol, he commends, admires, Adores; and last, the Thing adored, desires. A very Virgin in her Face was seen, And she had moved, a living Maid had been: One would have thought she could have stirred; but strove With Modesty, and was ashamed to move. Art hid with Art, so well performed the Cheat, It caught the Carver with his own Deceit: He knows 'tis Madness, yet he must adore, And still the more he knows it, loves the more: The Flesh, or what so seems, he touches oft, Which feels so smooth, that he believes it soft. Fired with his Thought, at once he strained the Breast, And on the Lips a burning Kiss impressed. 'Tis true, the hardened Breast resists the Gripe, And the cold Lips return a Kiss unripe: But when, retiring back, he looked again, To think it Ivory, was a thought too mean: So would believe she kissed, and courting more, Again embraced her naked Body o'er; And straining hard the Statue, was afraid His Hands had made a Dint, and hurt his Maid: Explored her, Limb by Limb, and feared to find So rude a Gripe had left a livid Mark behind With Flatt'ry now he seeks her Mind to move, And now with Gifts (the powerful bribe of Love): He furnishes her Closet first; and fills The crowded Shelves with Rarities of Shells; Adds Orient Pearls, which from the Conches he drew, And all the sparkling Stones of various Hue: And Parrots, imitating Human Tongue, And singing-birds in Silver Cages hung; And ev'ry fragrant Flower, and odorous Green, Were sorted well, with Lumps of Amber laid between: Rich, fashionable Robes her person Deck: Pendants her Ears, and Pearls adorn her neck: Her tapered Fingers too With Rings are graced, And an embroidered Zone surrounds her slender Waist. Thus like a Queen arrayed, so richly dressed, Beauteous she shewed, but naked shewed the best. Then, from the Floor, he raised a Royal Bed, With Cov'rings of Sydonian Purple spread: The Solemn Rites performed, he calls her Bride, With Blandishments invites her to his Side, And as she were with Vital Sense possessed, Her Head did on a plumy Pillow rest. The Feast of Venus came, a Solemn Day, To which the Cypriots due Devotion pay; With gilded Horns the milk-white Heifers led, Slaughtered before the sacred Altars, bled: Pygmalion offering, first approached the Shrine, And then with Pray'rs implored the Powers Divine: Almighty Gods, if all we Mortals want, If all we can require, be yours to grant; Make this fair Statue mine, he would have said, But changed his Words for shame; and only prayed, Give me the likeness of my Ivory Maid. The Golden Goddess, present at the Prayer, Well knew he meant th' inanimated Fair, And gave the Sign of granting his Desire; For thrice in cheerful Flames ascends the Fire. The Youth, returning to his Mistress, hies, And, impudent in Hope, with ardent Eyes, And beating Breast, by the dear Statue lies. He kisses her white Lips, renews the Bliss, And looks and thinks they redden at the Kiss: He thought them warm before: Nor longer stays, But next his Hand on her hard Bosom lays: Hard as it was, beginning to relent, It seemed, the Breast beneath his Fingers bent; He felt again, his Fingers made a Print, 'Twas Flesh, but Flesh so firm, it rose against the Dint: The pleasing Task he fails not to renew; Soft, and more soft at every Touch it grew; Like pliant Wax, when chafing Hands reduce The former Mass to Form, and frame for Use He would believe, but yet is still in pain, And tries his Argument of Sense again, Presses the Pulse, and feels the leaping Vein. Convinced, o'erjoyed, his studied Thanks and Praise, To her who made the Miracle, he pays: Then Lips to Lips he joined; now freed from Fear, He found the Savour of the Kiss sincere: At this the wakened image oped her Eyes, And viewed at once the Light and Lover, with surprise. The Goddess present at the Match she made, So blessed the Bed, such Fruitfulness conveyed, That e'er ten Moons had sharpened either Horn, To crown their Bliss, a lovely Boy was born; Paphos his Name, who, grown to manhood, walled The City Paphos, from the Founder called. Pygamlion and Galatea by Ovidius
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Journal
Most of you wonder what motivetes me, what is behing these drawings and paings.It's harder for me to explain it in words but it's about something we all feel, something that animates all natura: THE NEED TO LOVE AND BE LOVED, the need to have something you can't reach, something you can't touch.
I've made most of this drawings when I felt lonely and lost wishing I could hold someone in my arms.
The feeling I have when I'm looking at my drawings it's so special.I like to imagine something to beautiful to be real, the ideal beauty.
In every drawing I try to bild that wonderful image of the ideal beauty, the perfection, the beauty I can't have.
Like the sculptor Pygmalion I create my own Galatea with every drawing and painting I make and give her life by my own feelings.
You may say I'm crazy but I cannot live the way I want to and my imagination and my art are the only things I have.
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